Order Number |
65363737383 |
Type of Project |
ESSAY/DISERTATION |
Writer Level |
PHD/MASTERS CERTIFIED |
Format |
APA/MLA/HARVARD/OXFORD |
Academic Sources |
10 -20 |
Page Count |
4-8 PAGES |
Your initial post (min. 250 words; worth 2 points): Choose just one author’s piece we read (unless there is only one author listed for this forum) from the syllabus to which to respond in your single initial post. (Feel free to use the *guide- concepts I provide in each forum for each, as well, if needed). Then, do the following, below. First, start by citing (typing in, verbatim) one short, key quotation from the piece (could just be a short phrase or verse, imagery description or a snippet of dialogue, about 10-15 words at most per quotation) that you find particularly meaningful, striking, and central to the meaning (theme) of the piece, as, you understand it. Name what literary element(s) you think it represents. (For listings, definitions, and examples of literary elements and what they are, see the anthology’s pages on terms for short stories, then later in the term, do the same for poetry and for drama or film when we get to those.) For example, following your quotation, you might say something like “This quotation represents an instance of verbal irony, because we learn later in the piece that this character is actually the kind of person he is saying he despises.”) Next, in this same initial post, use your chosen quotation (above) to help illustrate and lead, now, into your lengthier explanation of what your best understanding of the piece is really about– what problem or issue do you think this piece is really exploring or critiquing–the theme(s)– related to some part of our shared human experience. As you do so, be sure to reference other examples—instances and moments in the piece—that further help illustrate your assertions about the piece’s theme(s).
Book
Gwynn, R.S. Literature: A Pocket Anthology. Sixth Edition. 2015. ISBN: 0321942744. Paperback.
Assignment
Choose just one author from below whose piece we read (unless there is only one author listed for this forum) from the syllabus to which to respond in your single initial post. (Feel free to use the *guide-concepts I provide below for the one you choose, as well, if needed): First, start by presenting a quotation from the piece, what could just be a short phrase or verse, imagery description or a snippet of dialogue, about 10-15 words at most per quotation; type it right into your post surrounded by quotation marks as your first move, there; no full Works Cited citation at the end necessary for these posts, as class discussions, but do cite the quotation within your reply right after it, like this, per MLA: The author writes, “They said she died…of joy that kills” (Chopin 145). Be sure you pick a key quotation you find particularly meaningful, striking, and central to the meaning (theme) of the piece, as you understand it. Secondly, name what literary element(s) you think it represents. (For listings, definitions, and examples of literary elements and what they are, see the anthology’s pages on terms for short stories, then later in the term, do the same for poetry and for drama or film when we get to those.) For example, following your quotation, you might say something like this: This quotation represents an instance of verbal irony, because we learn later in the piece that this character is actually the kind of person he is saying he despises. Finally, use your chosen quotation (above) to help illustrate and lead, now, into your lengthier explanation of what your best understanding of the piece is really about–what problem or issue do you think this piece is really exploring or critiquing, the theme(s)–related to some part of our shared human experience. As you do so, be sure to reference other examples—instances and moments in the piece—that further help illustrate your assertions about the piece’s theme(s).
Cheever:
significance of title; “father” vs. “Daddy” terminology;
symbolic significance of the variety, and range, of physical setting(s)
significance and function of one or more of the many situationally- and/or verbally-ironic moments in the story
descriptive style; dialogue style (content-of, presence-of, absence-of)
relevance and significance of trains (subway and surface); drinking; time-ticking; dog-references; an hour’s time
RUBRIC | |||
Excellent Quality
95-100%
|
Introduction
45-41 points The context and relevance of the issue, as well as a clear description of the study aim, are presented. The history of searches is discussed. |
Literature Support
91-84 points The context and relevance of the issue, as well as a clear description of the study aim, are presented. The history of searches is discussed. |
Methodology
58-53 points With titles for each slide as well as bulleted sections to group relevant information as required, the content is well-organized. Excellent use of typeface, color, images, effects, and so on to improve readability and presenting content. The minimum length criterion of 10 slides/pages is reached. |
Average Score
50-85% |
40-38 points
More depth/information is required for the context and importance, otherwise the study detail will be unclear. There is no search history information supplied. |
83-76 points
There is a review of important theoretical literature, however there is limited integration of research into problem-related ideas. The review is just partly focused and arranged. There is research that both supports and opposes. A summary of the material given is provided. The conclusion may or may not include a biblical integration. |
52-49 points
The content is somewhat ordered, but there is no discernible organization. The use of typeface, color, graphics, effects, and so on may sometimes distract from the presenting substance. It is possible that the length criteria will not be reached. |
Poor Quality
0-45% |
37-1 points
The context and/or importance are lacking. There is no search history information supplied. |
75-1 points
There has been an examination of relevant theoretical literature, but still no research concerning problem-related concepts has been synthesized. The review is just somewhat focused and organized. The provided overview of content does not include any supporting or opposing research. The conclusion has no scriptural references. |
48-1 points
There is no logical or apparent organizational structure. There is no discernible logical sequence. The use of typeface, color, graphics, effects, and so on often detracts from the presenting substance. It is possible that the length criteria will not be reached. |
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