Narrative Review Course Paper

Narrative Review Course Paper

Instructions/Descriptions

Narrative Review Course Paper

[Order Now]

T h e C h a s e r , by John Collier Alan Austen, as nervous as a kitten, went up certain dark and creaky stairs in the neighborhood of Pell Street, and peered about for a long time on the dime landing before he found the name he wanted written obscurely on one of the doors. He pushed open this door, as he had been told to do, and found himself in a tiny room, which contained no furniture but a plain kitchen table, a rocking-chair, and an ordinary chair.

On one of the dirty buff-colored walls were a couple of shelves, containing in all perhaps a dozen bottles and jars. An old man sat in the rocking-chair, reading a newspaper. Alan, without a word, handed him the card he had been given. “Sit down, Mr. Austen,” said the old man very politely. “I am glad to make your acquaintance.” “Is it true,” asked Alan, “that you have a certain mixture that has-er-quite extraordinary effects?”

“My dear sir,” replied the old man, “my stock in trade is not very large-I don’t deal in laxatives and teething mixtures-but such as it is, it is varied. I think nothing I sell has effects which could be precisely described as ordinary.” “Well, the fact is. . .” began Alan. “Here, for example, “interrupted the old man, reaching for a bottle from the shelf. “Here is a liquid as colorless as water, almost tasteless, quite imperceptible in coffee, wine, or any other beverage.

It is also quite imperceptible to any known method of autopsy.” “Do you mean it is a poison?” cried Alan, very much horrified. “Call it a glove-cleaner if you like,” said the old man indifferently. “Maybe it will clean gloves. I have never tried. One might call it a life-cleaner. Lives need cleaning sometimes.” “I want nothing of that sort,” said Alan. “Probably it is just as well,” said the old man. “Do you know the price of this?

For one teaspoonful, which is sufficient, I ask five thousand dollars. Never less. Not a penny less.” “I hope all your mixtures are not as expensive,” said Alan apprehensively. “Oh dear, no,” said the old man. “It would be no good charging that sort of price for a love potion, for example. Young people who need a love potion very seldom have five thousand dollars. Otherwise, they would not need a love potion.”

“I am glad to hear that,” said Alan. “I look at it like this,” said the old man. “Please a customer with one article, and he will come back when he needs another. Even if it is more costly. He will save up for it, if necessary.” “So,” said Alan, “you really do sell love potions?” “If I did not sell love potions,” said the old man, reaching for another bottle, “I should not have mentioned the other matter to you.

It is only when one is in a position to oblige that one can afford to be so confidential.” “And these potions,” said Alan. “They are not just-just-er-” “Oh, no,” said the old man. “Their effects are permanent, and extend far beyond the mere casual impulse. But they include it. Oh, yes they include it. Bountifully, insistently. Everlastingly.” “Dear me!” said Alan, attempting a look of scientific detachment. “How very interesting!” “But consider the spiritual side,” said the old man.

“I do, indeed,” said Alan. “For indifference,” said the old man, they substitute devotion. For scorn, adoration. Give one tiny measure of this to the young lady-its flavour is imperceptible in orange juice, soup, or cocktails-and however gay and giddy she is, she will change altogether. She will want nothing but solitude and you.” “I can hardly believe it,” said Alan. “She is so fond of parties.” “She will not like them anymore,” said the old man. “She will be afraid of the pretty girls you may meet.” “She will actually be jealous?” cried Alan in a rapture. “Of me?” “Yes, she will want to be everything to you.” “She is, already. Only she doesn’t care about it.” “She will, when she has taken this. She will care intensely. You will be her sole interest in life.” “Wonderful!” cried Alan.

“She will want to know all you do,” said the old man. “All that has happened to you during the day. Every word of it. She will want to know what you are thinking about, why you smile suddenly, why you are looking sad.” “That is love!” cried Alan. “Yes,” said the old man. “How carefully she will look after you! She will never allow you to be tired, to sit in a draught, to neglect your food. If you are an hour late, she will be terrified. She will think you are killed, or that some siren has caught you.”

“I can hardly imagine Diana like that!” cried Alan, overwhelmed with joy. “You will not have to use your imagination,” said the old man. “And, by the way, since there are always sirens, if by any chance you should, later on, slip a little, you need not worry. She will forgive you, in the end. She will be terribly hurt, of course, but she will forgive you-in the end.”

“That will not happen,” said Alan fervently. “Of course not,” said the old man. “But, if it did, you need not worry. She would never divorce you. Oh, no! And, of course, she will never give you the least, the very least, grounds for-uneasiness.” “And how much,” said Alan, “is this wonderful mixture?”

“It is not as dear,” said the old man, “as the glove-cleaner, or life-cleaner, as I sometimes call it. No. That is five thousand dollars, never a penny less. One has to be older than you are, to indulge in that sort of thing. One has to save up for it.” “But the love potion?” said Alan. “Oh, that,” said the old man, opening the drawer in the kitchen table, and taking out a tiny, rather dirty-looking phial.

“That is just a dollar.” “I can’t tell you how grateful I am,” said Alan, watching him fill it. “I like to oblige,” said the old man. “Then customers come back, later in life, when they are better off, and want more expensive things. Here you are. You will find it very effective.” “Thank you again,” said Alan. “Good-bye.” “Au revoir,” said the man.

Literary Analysis of Short Story

1. Select a story that you find made a strong impression on you.

Appointment with Love

The Necklace

The Lady with the Pet Dog

The Jockey

The Chaser

Dead End

Where Are You Going? Where Have You Been?

Yellow Wallpaper

A Rose for Emily

2. Chart out the Plot in the Story

1.What part of the story is the Exposition?

2. What part of the story is the Conflict?
3. What part of the story is the Climax?
4. What part is the Falling Action?
5. What part of the story is the Resolution/Denouement?

You need to be able to do this to understand the movements in the story.

3. Decide which literary elements stand out to you in the story? (Choose Four)

Character & Characterization

Symbolism

Imagery

Diction

Figurative Language

Setting

Point of View

Theme

Irony

Style

Sensory Language

Tone

Mood

Internal v. External Conflict

4. How do the elements work with the Plot? EXAMPLE 1: The characterizing of the narrator in The Yellow Wallpaper pushes the plot along because the reader believes she is the victim of her husband’s control until the climax where the reader realizes she was in fact destroying the room herself the whole time.

EXAMPLE 2: The various settings of The Lady with the Pet Dog work to illustrate the internal conflict of both Gurov and Anna as they actually have to escape their mundane lives in order to find happiness with each other.

EXAMPLE 3: The necklace in Maupassant’s The Necklace is a both symbol for the life Mine. Loisel always believed she deserved as well as a symbol of the illusion of wealth that Mme. Forestier portrayed and Mine. Loisel so gullibly believed.

1. Introduction paragraph with thesis statement: Several elements of plot in The Yellow Wallpaper support the theme of dismissing a woman’s mental health as fancy through isolation and lack of appropriate treatment.
2. Setting A. The isolation of the house the narrator is in provides a foundation of delusions she goes

through

III. Conflict A. The external conflict of her supposed “non sickness” as diagnosed by John versus the internal conflict of the narrator feeling in fact very “sick” as declared on the first page of the story

1. Characterization A. The narrator is characterized as sweet, obedient, and doting on her husband which creates the climactic surprise to the reader when it is revealed she was destroying the room the whole time.
2. Symbolism A. The wallpaper itself was a symbol of the narrator’s chaos inside her mind. The more people said she was okay, the more she tore the paper and destroyed the furniture.
3. Conclusion
4. For each body paragraph, show evidence from the text. Develop your ideas with either:
5. Direct quotation 2. Summary 3. Paraphrase from the story itself with appropriate MLA parenthetical citation (Author Last Name Page Number)

You should have at least one parenthetical citation per paragraph.

1. Introduction paragraph with thesis statement: Several elements of plot in The Yellow Wallpaper support the theme of dismissing a woman’s mental health as fancy through isolation and lack of appropriate treatment.
2. Setting A. The isolation of the house the narrator is in provides a foundation of delusions she goes through

III. Conflict A. The external conflict of her supposed “non sickness” as diagnosed by John versus the internal conflict of the narrator feeling in fact very “sick” as declared on the first page of the story

1. Characterization A. The narrator is characterized as sweet, obedient, and doting on her husband which creates the climactic surprise to the reader when it is revealed she was destroying the room the whole time.
2. Symbolism A. The wallpaper itself was a symbol of the narrator’s chaos inside her mind. The more people said she was okay, the more she tore the paper and destroyed the furniture.
3. Conclusion

Use direct quotation, summary, or paraphrase from the story you selected to support your ideas for each paragraph.

Each paragraph should have at least one parenthetical citation (Gillman p#)

6. After you have written your four body paragraphs, find an outside source.

The Short History of the Short Story

Why Literature

The Serious Writer’s Goal

[Order Now]

Dana Goia’s review of Chekhov (that website also has many other authors reviewed)

The Importance of the Single Effect

On Defining Short Stories

On the Many Different Engines…

A website or article on the author’s biography

Some other outside source you find appropriate

Narrative Review Course Paper

RUBRIC Excellent Quality 95-100%   Introduction 45-41 points The context and relevance of the issue, as well as a clear description of the study aim, are presented. The history of searches is discussed. Literature Support 91-84  points The context and relevance of the issue, as well as a clear description of the study aim, are presented. The history of searches is discussed. Methodology 58-53 points With titles for each slide as well as bulleted sections to group relevant information as required, the content is well-organized. Excellent use of typeface, color, images, effects, and so on to improve readability and presenting content. The minimum length criterion of 10 slides/pages is reached. Average Score 50-85% 40-38 points More depth/information is required for the context and importance, otherwise the study detail will be unclear. There is no search history information supplied. 83-76  points There is a review of important theoretical literature, however there is limited integration of research into problem-related ideas. The review is just partly focused and arranged. There is research that both supports and opposes. A summary of the material given is provided. The conclusion may or may not include a biblical integration. 52-49  points The content is somewhat ordered, but there is no discernible organization. The use of typeface, color, graphics, effects, and so on may sometimes distract from the presenting substance. It is possible that the length criteria will not be reached. Poor Quality 0-45% 37-1 points The context and/or importance are lacking. There is no search history information supplied. 75-1 points There has been an examination of relevant theoretical literature, but still no research concerning problem-related concepts has been synthesized. The review is just somewhat focused and organized. The provided overview of content does not include any supporting or opposing research. The conclusion has no scriptural references. 48-1 points There is no logical or apparent organizational structure. There is no discernible logical sequence. The use of typeface, color, graphics, effects, and so on often detracts from the presenting substance. It is possible that the length criteria will not be reached. Narrative Review Course Paper Place the Order Here: https://standardwriter.com/orders/ordernow / https://standardwriter.com/

Narrative Review Course Paper

PLACE THE ORDER WITH US TODAY AND GET A PERFECT SCORE!!!